By the time the run of songs that includes вЂњCall Out My NameвЂќ (from 2018's My Dear Melancholy,), вЂњDie for YouвЂќ ( Starboy) and вЂњEarned ItвЂќ ( Beauty) arrives, it's all id and nothing to cut it. Then it pivots, slowly but steadily, to the comedown, where the singer's self-loathing finds a natural match in hazier, muddier productions. Songs like вЂњSave Your TearsвЂќ (from 2020's After Hours), вЂњCan't Feel My FaceвЂќ (from 2015's Beauty Behind the Madness) and вЂњStarboyвЂќ (from 2016's Starboy) sound like neon club lights and the sins committed beneath them. The bright keys and danceable Max Martin-produced '80s pop that have defined the latter half of his career open the proceedings like the climb of an intensely euphoric high. Instead, it gets moodier and darker as it goes on. In a clever touch, the compilation doesn't unfold sequentially. ( The Highlights' release only misses the 10-year anniversary mark by a month.) His second such collection, The Highlights, manages the task with ease, pulling together all of his, well, highlights, stretching all the way to the beginning to include two cuts from his 2011 debut House of Balloons. The production by Daft Punk is simply excellent.

Daft Punk) An excellent way to end the album with a way to sing that really reminds me of Michael Jackson. For an artist like The Weeknd, putting together a greatest hits compilation must be especially difficult each era and microevolution of his career feels deserving unto itself. Die for You The quality does not go down when one nears the end of the album.

The weeknd die for you original audio